I can recall with unusual clarity the day in 1976 when one of my older brothers took me (riding our bikes) to the K-Mart in Atlanta’s Broadview Plaza to buy my first LP. I had just inherited a self-contained “hi-fi” system for my room, and I was tremendously eager to have an album that was mine, purchased with my own allowance money, and not one borrowed from my brothers’ collections down the hall. The album was The Who’s Tommy, the original double LP from 1969 rather than the movie soundtrack, though the relatively recent release of the film undoubtedly fueled my interest and enthusiasm.
Like many other budding music fans and emerging consumers, I listened to that one album many times. I developed a special connection to that music primarily because I had invested my own precious cash in it. I owned that recording, which included (in my mind) the music as well as the physical, tangible objects and corresponding information: the vinyl LPs which I cared for with the delicacy required to ensure their longevity, [Read more…]